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Walker Evans, Exhibition, Photography - Museum of Modern Art, San Francisco, United-States
Image credit Walker Evans, Penny Picture Display, Savannah, 1936; Pilara Foundation Collection; © Walker Evans Archive, The Metropolitan Museum of Art, New York
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Museum of Modern Art

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CA 94103 San Francisco
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Open daily (except Wednesdays): 11 a.m. to 5:45 p.m.; open late Thursdays, until 8:45 p.m. Summer hours (Memorial Day to Labor Day): Open at 10 a.m. Closed Wednesdays and the following public holidays: New Year's Day, Fourth of July, Thanksgiving, Christmas. The Museum is open the Wednesday between Christmas and New Year's Day.
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PublishedNovember 3, 2017 at 04:18pm
Seen261 times

Walker Evans

Exhibition
Museum of Modern Art, Photography, San Francisco, United-States
Saturday September 30, 2017 - Sunday February 4, 2018
Ends in 76 days 12h

Unprecedented in scope and scale, this major retrospective of seminal photographer Walker Evans views his work through the lens of one of his obsessions — the American vernacular, or the language of everyday life found in roadside attractions, postcards, storefronts, and signage across the country.

Walker Evans, Penny Picture Display, Savannah, 1936; Pilara Foundation Collection; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Roadside Stand Near Birmingham/Roadside Store Between Tuscaloosa and Greensboro, Alabama, 1936; collection of the J. Paul Getty Museum, Los Angeles; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Truck and Sign, 1928–30; private collection, San Francisco; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Self-Portrait, 1927; collection of The Metropolitan Museum of Art, New York, Ford Motor Company Collection, gift of Ford Motor Company and John C. Waddell; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Untitled [Street scene], 1950s; collection of the J. Paul Getty Museum, Los Angeles; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama, 1936; private collection; © Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Resort Photographer at Work, 1941; collection of the J. Paul Getty Museum, Los Angeles; © Walker Evans Archive, The Metropolitan Museum of Art, New York
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Over five decades, Evans’s powerful images responded to and reflected the spirit, suffering, and fortitude of a nation. His iconic images of the Great Depression and his postwar photo essays depicting shop window displays, urban architecture, and junked automobiles defined a new documentary style that continues to influence generations of artists.

SFMOMA’s exhibition — the only presentation of this retrospective in the U.S. — joins together over 300 breathtaking prints, many of which have never before been exhibited, with nearly 100 documents and objects, including many from the photographer’s personal collection. Together they reveal an exceptional eye for the details of everyday life and an essential understanding of twentieth-century America.

This exhibition is organized by the Centre Pompidou, Paris, in collaboration with the San Francisco Museum of Modern Art.

Lead support is provided by Randi and Bob Fisher. Major support is provided by Andy and Mary Pilara, the Lisa and John Pritzker Family Fund, and Diana and Steve Strandberg. Generous support is provided by the William and Elizabeth Patterson Family Fund, and Joni Binder and Robert Shwarts. Additional support is provided by Colleen Quinn Amster and John Amster, Marc Ebbin, Maren Monsen and Jeff Grainger, J George and Roxane Hume, Kathleen and Robert Matschullat, Michele and Christopher Meany, Jenny Pearlman and Jack McDonald, Abby and Gene Schnair, Robert Harshorn Shimshak and Marion Brenner, Sande Schlumberger, and Meagan Wilson.

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