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Image credit Untitled, 1952 Oil on canvas. 41 1/2 x 77 in. © Richard Diebenkorn Foundation
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Crocker Art Museum

CAM
216 O Street
CA 95814 Sacramento
United-States
T (916) 808-7000
F (916) 808-7372
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PublishedSeptember 22, 2017 at 04:46pm
Seen1987 times

Richard Diebenkorn

BeginningsCrocker Art Museum, Painting, Sacramento, United-States
Sunday October 8, 2017 - Sunday January 7, 2018 - Event ended.

A look at the artist's early work and evolution to maturity through 100 paintings and drawings that precede his shift to figuration.

Richard Diebenkorn, Untitled. 1949. Oil on canvas, 45 1/8 x 37 3/8 in. Catalogue raisonné no. 665 © Richard Diebenkorn Foundation
1950–51. Oil on canvas, 16 1/4 x 17 5/8 in. Catalogue raisonné no. 871 © Richard Diebenkorn Foundation
Untitled (Albuquerque), 1952 Oil on canvas, 55 7/8 x 43 in. Catalogue raisonné no. 1167 © Richard Diebenkorn Foundation
Urbana #2 (The Archer), 1953 Oil on canvas, 64 1/2 x 47 1/2 in. (163.8 x 120.7 cm). Catalogue raisonné 1245 © Richard Diebenkorn Foundation
Untitled, 1952 Oil on canvas. 83 1/2 x 45 1/2 in. © Richard Diebenkorn Foundation
Untitled, 1952 Oil on canvas. 41 1/2 x 77 in. © Richard Diebenkorn Foundation
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Audiences today generally know Richard Diebenkorn’s career in terms of three major evolutions: the Sausalito, Albuquerque, Urbana, and “early Berkeley” periods of Abstract Expressionism (1947–1955); the Berkeley figurative/representational period (1955–1966); and the Ocean Park (1967–1988) and Healdsburg (1988–1992) series of abstractions. Yet Diebenkorn’s earliest paintings and drawings remain little known.

This exhibition focuses on Diebenkorn’s evolution to maturity. It features 100 paintings and drawings, nearly all from the collection of the Richard Diebenkorn Foundation, that precede his shift to figuration. These early pieces evolved rapidly from representational landscape scenes and portraits of military colleagues, to semiabstract and Surrealist-inspired depictions of topography and the human form, to the artist’s mature Abstract Expressionist paintings. Many of these pieces will be unfamiliar to the public, yet they offer a fuller picture of Diebenkorn’s precocious achievements and set the stage for what was yet to come.

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