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|Art Limited Editors|
|Published||October 8, 2017 at 06:36pm|
The breakthrough years, 1911–1919Kunsmuseum, Painting, Basel, Switzerland
Saturday September 16, 2017 - Sunday January 21, 2018 - Event ended.
Chagall—The Breakthrough Years, 1911–1919 brings Marc Chagall’s early oeuvre into focus. The exhibition was designed around the extraordinary ensemble of outstanding paintings by the French artist in the collections of the Kunstmuseum Basel and the Im Obersteg Foundation.
The unexpected change of circumstances initially prompted a phase of searching self-scrutiny that speaks from many paintings and works on paper created in and after 1914. The artist produced numerous self-portraits, depictions of Jewish life, and designs for the stage setting for the celebration of the first anniversary of the October Revolution that he organized in his role as the commissar for arts and director of the art school in Vitebsk in 1918. We display a representative selection of works from what was for Chagall a period of rapid artistic evolution and personal as well as political upheaval.
The core of the show consists of the extraordinary ensemble of major paintings in the collections of the Kunstmuseum Basel and the Im Obersteg Foundation as well as eminent works on loan from Swiss and international private and public collections. They are complemented by documentary ethnographic photographs the Russian artist Solomon Yudovin took in 1912–1914 during the so-called Gintsburg Expeditions into Russia’s shtetlekh, in an attempt to capture a world constantly endangered by pogroms, political unrest and social dynamics. Yudovin’s photographs preserve the rich traditions of shtetl life that profoundly informed Chagall’s oeuvre.
Marc Chagall (1887–1985) found his way as an artist as his life was torn between two different worlds: his hometown of Vitebsk in Belorussia and Paris, where he lived between 1911 and 1914. The paintings he created during this period combine recollections of Russian provincial life with iconic fragments of the cosmopolitan French capital, incorporating reminiscences of Russian folk art as well as the most recent stylistic experiments he was exposed to through his acquaintance with many of the most progressive artists, including Pablo Picasso, Robert and Sonia Delaunay, and Jacques Lipchitz.
Key works from the Paris years on display in the exhibition include À la Russie, aux ânes et aux autres (1911), which was shown to wide acclaim at the 1912 Salon des Indépendants, and Hommage à Apollinaire (1913), which bears witness to Chagall’s association with the French poet and the Paris avant-garde. The Kunstmuseum Basel also presents numerous paintings and works on paper in which Chagall examined the Jewish shtetl and rural life in his native Belorussia