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Image credit Gustav Klimt, Two Studies of a Standing Nude, 1897-98. (Study for the oil sketch for ‘Medicine’). Black chalk. 47.8 x 31.4 cm. The Albertina Museum, Vienna
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PublishedMarch 6, 2018 at 11:34am
Seen1295 times

Klimt / Schiele

Drawings from the Albertina Museum, ViennaRoyal Academy of Arts, Drawing, London, United-Kingdom
Sunday November 4, 2018 - Sunday February 3, 2019 - Starts in 105 days 11h

See rare and fragile drawings by Gustav Klimt and Egon Schiele, offering intimate insights into their artistic relationship and differing creative processes. This extraordinary collaboration with the Albertina Museum in Vienna marks the centenary of both artists’ deaths.

Egon Schiele, Seated Female Nude, Elbows Resting on Right Knee (detail), 1914. Pencil, gouache on japan paper. 48 x 32 cm. The Albertina Museum, Vienna
Gustav Klimt, Standing Female Nude, 1901. (Study for ‘The Three Gorgons; Beethoven Frieze’). Black chalk. 44.5 x 31.9 cm. The Albertina Museum, Vienna
Egon Schiele, The Cello Player, 1910. Black chalk, watercolour on packing paper. 44.7 x 31.2 cm. The Albertina Museum, Vienna
Gustav Klimt, Embracing Couple, 1901. (Study for ‘This Kiss to the Entire World; Beethoven Frieze’). Black chalk. 45 x 30.8 cm. The Albertina Museum, Vienna
Egon Schiele, Nude Self-Portrait, Squatting, 1916. Pencil, gouache. 29.5 x 45.8 cm. The Albertina Museum, Vienna
Gustav Klimt, Preliminary Drawing for 'Allegory of Sculpture', 1889. Graphite, blue pencil, heightened with gold. 44 x 30 cm. The Albertina Museum, Vienna
Gustav Klimt, Two Studies of a Standing Nude, 1897-98. (Study for the oil sketch for ‘Medicine’). Black chalk. 47.8 x 31.4 cm. The Albertina Museum, Vienna
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1918 was a seismic year in Vienna. As the Austro-Hungarian Empire crumbled, the deaths of its two foremost artists brought about the end of an intense period of creative vitality that had blazed briefly but brilliantly across the city’s bohemian swirl. One was the radical Symbolist painter Gustav Klimt; the other the young, scandalous and prodigiously talented Egon Schiele.

As a number of key drawings in this exhibition will reveal, influence travelled in both directions between these two friendly rivals. Early sketches show how Schiele, in his own words, first “went by way of Klimt,” before the expressive power and searing directness of his mature work in turn left a mark on his older colleague. Both revelled in the immediacy of drawing, an ideal medium for exploring new ideas of modernity, subjectivity and the erotic.

Klimt / Schiele: Drawings is a unique opportunity to see some of the 20th century’s most important works on paper – amongst them Klimt’s sketches for his seminal Beethoven Frieze, and unflinching self-portraits by Schiele – which due to their delicacy will not see the light of day again for many years. In around 100 portraits, landscapes, nudes and erotic drawings, prepare to encounter these two icons of Modernism at their most raw and revealing.

Exhibition organised by the Royal Academy of Arts, London and the Albertina Museum, Vienna.

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