Lewis W. Hine
Nederlands Fotomuseum, Photography, Rotterdam, Netherlands
Saturday September 15, 2012 - Sunday January 6, 2013 - Event ended.
A detailed overview of the work of the famous American photographer Lewis Hine (1874 - 1940) from the collection of the George Eastman House. Including his famous photographs of the construction of the Empire State Building and the immigrants on Ellis Island. Hine photographed especially social issues like child labor in America to which he fought against. He is known for his humane portraits of European immigrants arriving at Ellis Island in New York (often departed from the Wilhelmina Pier!) At the beginning of the last century he made his famous book about the construction of the Empire State Building, Men at Work (1932).
His pictures of immigrants on Ellis Island, child labour and the building of the Empire State Building are among the visual icons of the 20th century.
A special project within the exhibition is Building the Rotterdam. Inspired by the work of Hine, photographer Ruud Sies has for four years been recording the building of the Rotterdam, designed by OMA of Rem Koolhaas.
Lewis Wickes Hine was born in Oshkosh, Wisconsin in 1874. After his father died in an accident, he began working and saved his money for a college education. Hine studied sociology at the University of Chicago, Columbia University and New York University. He became a teacher in New York City at the Ethical Culture School, where he encouraged his students to use photography as an educational medium. The classes traveled to Ellis Island in New York Harbor, photographing the thousands of immigrants who arrived each day. Between 1904 and 1909, Hine took over 200 plates (photographs), and eventually came to the realization that documentary photography could be employed as a tool to effectuate social change and reform.
In 1906, Hine became the staff photographer of the Russell Sage Foundation. Here Hine photographed life in the steel-making districts and people of Pittsburgh, Pennsylvania, for the influential sociological study called the Pittsburgh Survey. In 1908, he became the photographer for the National Child Labor Committee (NCLC), leaving his teaching position. Over the next decade, Hine documented child labor in American industry to aid the NCLC's lobbying efforts to end the practice.
During and after World War I, he photographed American Red Cross relief work in Europe. In the 1920s and early 1930s, Hine made a series of "work portraits," which emphasized the human contribution to modern industry. In 1930, Hine was commissioned to document the construction of The Empire State Building. Hine photographed the workers in precarious positions while they secured the iron and steel framework of the structure, taking many of the same risks the workers endured. In order to obtain the best vantage points, Hine was swung out in a specially designed basket 1,000 feet above Fifth Avenue.
During the Great Depression, he again worked for the Red Cross, photographing drought relief in the American South, and for the Tennessee Valley Authority (TVA), documenting life in the mountains of eastern Tennessee. He also served as chief photographer for the Works Progress Administration's (WPA) National Research Project, which studied changes in industry and their effect on employment. Hine was also a member of the faculty of the Ethical Culture Fieldston School.
The Library of Congress holds more than five thousand Hine photographs, including examples of his child labor and Red Cross photographs, his work portraits, and his WPA and TVA images. Other large institutional collections include nearly ten thousand of Hine's photographs and negatives held at the George Eastman House and almost five thousand NCLC photographs at the Albin O. Kuhn Library & Gallery of the University of Maryland, Baltimore County.
Later life of Lewis Hine
In 1936, Hine was selected as the photographer for the National Research Project of the Works Projects Administration, but his work there was never completed.
The last years of his life were filled with professional struggles due to loss of government and corporate patronage. Few people were interested in his work, past or present, and Hine lost his house and applied for welfare. He died at age 66 on November 3, 1940 at Dobbs Ferry Hospital in Dobbs Ferry, New York, after an operation.
After Lewis Hine's death his son Corydon donated his prints and negatives to the Photo League, which was dismantled in 1951. The Museum of Modern Art was offered his pictures but did not accept them; but the George Eastman House in Rochester, New York did.